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On All Saints' Day in France, we remember our dead

Tradition is always respected. Every year, millions of French men and women visit cemeteries to tend the graves and plant flowers. Chrysanthemums, the emblematic plant, continue to be the most common plant placed on graves, with 20,000,000 pots sold each year for All Saints' Day alone. But where does this holiday come from? Why Chrysanthemums, and what are the traditions of All Saints' Day? Monsieur de France's answers

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Time of the dead for a long, long time

 

Long before it was called All Saints' Day , this time of year was dedicated to the dead. In Celtic times, it was the period of Samain, a day seen as a passage from the light of summer to the darkness of winter, a passage from life to death, and therefore a time dedicated to remembering the dead. In Brittany, the door of the house was left open to allow the dead to be reunited with their families on this night. Samain, transformed over time, became Halloween in Anglo-Saxon countries.

 

 

And a religious holiday

 

After a long tradition of celebrating the memory of saints and martyrs on May 13, All Saints' Day was moved to November 1 by Pope Gregory IV around the year 835. The aim was to combat the pagan remnants of the Samain night of the dead. A way for the Catholic Church to put down even deeper roots.

 

Un cimetière en France. Photo choisie par Monsieurdefrance.Com : depositphotos

A cemetery in France. Photo chosen by Monsieurdefrance.Com: depositphotos

 

 

The tradition of flowering graves

 

The tradition of planting flowers on graves is a very old one, and is still very much alive, as 35,000,000 French people continue to plant flowers on their graves at All Saints' Day. More than 20,000,000 chrysanthemums are sold at this time of year, demonstrating that the plant remains a beautiful symbol of the season.

 

 

Where does the Chrysanthemum tradition come from?

 

It was in the aftermath of the First World War that the Chrysanthemum made a huge breakthrough among the plants placed in cemeteries at All Saints' Day. In 1919, when the bodies of French soldiers were still lying in improvised necropolises, and there were as yet no monuments to the dead to pay their respects, French President Raymond Poincaré proposed an original idea: to decorate the graves of poilus, wherever they were, with flowers. The chrysanthemum was the most popular flower at this time of year, and the most spectacular, so it was quickly chosen by the French. This desire to decorate the graves of the "Poilus" who fell on the Field of Honor was eventually extended, little by little, to all the dead at this time of year, which was already a moment of meditation in memory of the departed.

 

la chrysanthème est la fleur privilégiée pour la Toussaint en France. Photo choisie par monsieurdefrance.com

Chrysanthemums are the flower of choice for All Saints' Day in France. Photo chosen by monsieurdefrance.com

 

 

Gourmet traditions too

 

It's often a time for big family meals, as the family is often together at this time of year. In particular, it's an ideal time for "group" dishes such as boeuf bourguignon. In Corsica, we like to enjoy Salviata, an S-shaped cake originally flavored with sage (hence the name salviata, which derives from salvia: sage). Today, salviatas are mainly lemon-flavored, or flavored with orange blossom or aniseed. In the Seine-et-Marne region, in Provins, near Paris, we enjoy niflettes, small cakes whose name "niflette" is said to come from "to sniff" like crying children, since they were offered to orphans in the Middle Ages.

Jérôme Prod'homme

Jérôme Prod'homme

 Jérôme Prod'homme is Monsieur de France.
He is a French author, historian by passion, and recognized specialist in French culture, heritage, and tourism. For many years, he has written for French media, cultural magazines, radio, and editorial projects focused on the history of France, historical figures, cultural traditions, religious heritage, and regional gastronomy

As the creator of Monsieur de France, he shares expert insights and documented knowledge about France: from medieval kings and cathedrals to royal palaces, UNESCO sites, charming villages, and authentic local cuisine. His articles are based on historical research, verified sources, and a real love of transmitting knowledge. 

Jérôme lives in France, travels extensively through its regions, and personally explores the places he recommends — ensuring first-hand experience. Through his writing, he aims to make French history accessible, highlight real stories and local heritage, and guide visitors to the most meaningful and authentic French destinations

Monsieur de France is more than a travel guide: it is a cultural bridge for readers around the world who want to truly understand France — its history, its identity, its symbols, and its living heritage. 

Jérôme Prod'homme

Jérôme Prod'homme

 Jérôme Prod'homme is Monsieur de France.
He is a French author, historian by passion, and recognized specialist in French culture, heritage, and tourism. For many years, he has written for French media, cultural magazines, radio, and editorial projects focused on the history of France, historical figures, cultural traditions, religious heritage, and regional gastronomy

As the creator of Monsieur de France, he shares expert insights and documented knowledge about France: from medieval kings and cathedrals to royal palaces, UNESCO sites, charming villages, and authentic local cuisine. His articles are based on historical research, verified sources, and a real love of transmitting knowledge. 

Jérôme lives in France, travels extensively through its regions, and personally explores the places he recommends — ensuring first-hand experience. Through his writing, he aims to make French history accessible, highlight real stories and local heritage, and guide visitors to the most meaningful and authentic French destinations

Monsieur de France is more than a travel guide: it is a cultural bridge for readers around the world who want to truly understand France — its history, its identity, its symbols, and its living heritage.